MISSISSIPPI STUDIOS PRESENTS CANADIAN STORYTELLING AMERICANA GROUP WITH FOLK AND PSYCHEDELIC INFLUENCES AND NEW LP, ‘YARROW’
$12 advance / $15 day of show
Floods and plagues, ghosts and slaughter: woe to those who populate the songs of Yarrow. A gentle summer breeze swings the gallows ropes, flowers bloom callously on lovers’ graves. These anthems are definitely not from Eden.
The Deep Dark Woods’ newest album was borne in a fever – scarlet fever, to be medically specific. A disease of the last century is a fitting backdrop for songs that dig bare handed into the loam to unearth the corpses of old English folk and country blues. In Yarrow, the Deep Dark Woods are reimagined by leadman Ryan Boldt, and accompanied by the same band that crafted prairie psychedelics and a “loose grungy folk sound” (Paste) for flannelites. For nearly ten years they developed an international following with particular success in the Americana realm, nominated alongside Alabama Shakes and Dawes for Emerging Artist of the Year at the 2012 Americana Music Awards.
Now wrest out of the woods, their outlook is decidedly more macabre, tapping into a rich vein of gothic surrealism that aligns with some of the great murder balladeers of our time. With Appalachian soil under his fingernails, Boldt writes in a deep tradition of bleak and forlorn storytelling, drawing lines from Ireland to Tennessee, the Oxford Girl to Folsom Prison.
In Yarrow, there’s a juicy unease to frontman Boldt’s presence, as if a new door has opened to let loose the weirdness. In place of the freewheelin’ jammy vibe there’s a darker, stranger tenor that sides with those modern mystics whose music exists in the creepier, freakier corners of existence.
Jacob Miller has been playing music full time for over a decade.
Having spent the last 6 years of that with the Bridge City Crooners - Miller now focuses his efforts to pursue his solo music.
A Wisconsin native, Miller moved to Portland the summer of 2009 via Amtrak with a suitcase and a Fender Jaguar. Just a year later - he left the city to travel North America to study and perform music, and working on various farms and ranches between travels.
One solo record and near 2 years later, Miller returned to the Pacific Northwest to form and pursue Jacob Miller and the Bridge City Crooners. After touring heavily and releasing 4 studio albums, Jacob and the Crooners disbanded the summer of 2017.
With a combined taste of folk/indie/pop, and the roots of American traditional music - Miller crafts a sound unique to his abilities and style.