FOLK MAGIK PRESENTS
Rafael Spielman, Alex Geddes, and Lawton Browning have made independent music in the Pacific Northwest as the Woolen Men since 2009. Since then they have created hundreds of songs, six LP’s, four 7-inches, thirteen tapes and six videos, the majority of which were written, recorded and produced by the band themselves. Their latest record, Human To Human (Dogs Table Records), was released in November 2019. In the pandemic era the band has released four digital singles, the latest of which is “Outta Reach”, premiering in August 2020.
On No Keys, Dommengang channel the wailing, psych-rock abandon of their previous work into a lean, dark-edged record colored by loss. Guitarist Dan “Sig” Wilson, bassist Brian Markham, and drummer Adam Bulgasem have grown closer even as they live further apart. Shared personal loss and experience playing and touring has made time together both an escape, and a release. No Keys captures the raw energy of playing together: soaring, blues-rock made all the more potent by heartfelt lyrics that address loss and anxiety.
Dommengang’s spiritual home of LA makes its mark on No Keys. The songs are fit for the late-night drive into the California desert, a real and metaphorical escape for a rootless band always searching for a balance between the city and the rougher expanses of nature. That restless spirit drives No Keys finding voice in Bulgasem’s superb skill behind the kit, and the fuzzed-out guitar riffs of Wilson and the lyrics of Markham provide intense, cathartic release.
No Keys was recorded with guitarist and engineer Tim Green (Joanna Newsom, Howlin’ Rain, Sleepy Sun, Fresh and Onlys, Golden Void) a close friend of the band. Dommengang captures their spontaneous energy by recording live with minimal overdubs. Skittering reverb lends Sig’s guitar solos a cosmic quality, while rippling distortion add depth and weight to Markham and Bulgasem’s hypnotic grooves. Guest vocals from Camilla Saufly-Mitchell Golden Void on “Jerusalem Cricket” add a perfect counterpoint to Markham’s cries of “No Keys”, while Adam Parks added buzzing organ overtones to album closer “Happy Death (Her Blues II)”.
No Keys finds rock’s primeval power alive and well and answers its call. It is a soundtrack to a personal journey or to your next road trip. It speaks to the explorer, and to the abandon of those willing to go all in. It is for the rocker giving it all, living out of a van, without a key to a permanent home.