Mississippi Studios presents the Florida songwriter/truth-teller and Fake Problems frontman
$12 advance / $14 day of show
Chris Farren is one of those names that is always on the tip of your tongue. Though he’s been heavily involved in music for years —and he’s become wellknown for his inventive merch, including his take on the classic The Smiths shirt — Farren is still working on breaking out in the large world of singersongwriters. After experimenting and honing his solo work on a few memorableEPs andaChristmasalbumcalledL ikeAGiftFromGodorWhatever, Farrenis ready to release his fulllength C an’t Die . With it, he’s poised to become known on his own terms and with his own unique sound.
“I definitely wanted to make something that wouldn’t just sound like another Fake Problems record,” says Farren. “ I wanted to make something that was poppier and a little less aggressive — but still energetic and entertaining. Lyrically, there’s some sadness involved but I didn’t want it to be a bummer to listen to.” The result is a clever blend of pop and gloom, the sort of record that will keep you dancing even when the lyrics cut deep. Farren, who cited Coconut Records, Belle & Sebastian, and Magnetic Fields as his influences while recording C an’t Die, has crafted a record that has a true indiepop sensibility and remains musically upbeat throughout.
Yet there is an undeniable sadness to certain tracks as well as a heavy focus on death and mortality. “Like any human, I reached an age where I realized I was going to die,” Farren says. “Until I was 25 or something, I had like h eard I was going to die but once I turned 25, something just clicked in my head. I was like, ‘Oh, I’m definitely going to die’ and I had a crazy hard time with it for some reason.” For Farren, who has always worked through dark times through songs, it was only natural to channel these feelings into his solo album. Take a track like “Until I Can
S e e T h e L i g h t , ” w h i c h w a s p a r t l y i n s p i r e d b y t h e d e a t h o f P a r k s a n d R e c r e a t i o n w r i t e r H a r r i s Wittels, as well other people in his life who have passed away. It’s about “how weird it is that they’re gone. You don’t get to talk to them anymore.”
However, C an’t Die explores plenty of other topics, too. In “Say U Want Me,” Farren touches upon insecurity in a relationship and how it doesn’t necessarily go away with time. “That song is just about worrying about being a burden to somebody that cares for you because you’re so childlike or weak ... I just worry about being a drag on somebody else that I really care for.” The song, like all of the songs on C an’t Die , is a refreshingly honest and relatable track: Farren is open about the anxieties and insecurities that plague his daily life, whether it’s worrying about being too much to a partner or just trying to act normal enough to fit in with your fellow human beings. In fact, the aptly titled “Human Being” reflects that common feeling of being, well, just different. “I can be very outgoing in certain situations but if I’m out of my comfort zone or of I’m in a place with a bunch of people I don’t know — like a ny party that I’ve ever been to — I always feel like a total weirdo freak,” Farren admits. It’s a fun, poppy track that accurately captures the vicious anxiety circle of feeling like you should go out but then getting there and realizing it’s not for you. And then doing it all again later on.
Considering this aversion to crowded parties, it’s no surprise that recording C an’t Die was a fairly solitary affair for Chris Farren. It’s a truly DIY album; “I wanted to produce my own record. I wanted to engineer my own record. I’d had a lot of ideas, sonically, that I felt like maybe if I brought in another producer, [they] would be like, ‘Oh, that’s wrong. That doesn’t sound right’.” Instead, Farren went with his gut, sometimes even making mistakes but leaving them in because he thought it sounded cool. (“Weirdo artist garbage,” he laughs.) The album was recorded in a guest room — one where he’d have to shut off the air conditioner whenever it was time to record — that didn’t even have real soundproofing. In fact, you can even hear dogs barking outside in the background. C an’t Die manages to simultaneously have a lofi sound that’s still incredibly rich. It helps that Farren enlists the help of some of his friends on the record — Sean Stevenson on drums, Casey Lee on guitar, Jeff Rosenstock and Matt Agrella adding horn arrangements, and Laura Stevenson contributing vocals. Farren’s friends helped make C an’t Die surpass Farren’s original vision. “It just took it to a place I could’ve never imagined.”
At the end of the day, however, C an’t Die is a record that is wholly reflective of Chris Farren’s sound. It’s not Fake Problems or Antarctigo Vespucci but instead it’s entirely Farren’s: resonating indiepop that captures all of the weird little anxieties of being in your twenties and realizing that you can’t control everything around you. “Once I got past that egodriven stuff and realizing that the world doesn’t revolve around me, it was a lot easier for me to get through the world,” says Farren. “It’s heavy! It’s a heavy world.” That’s true, but C an’t Die adds some lightness, resulting in a record that makes listeners happy while also recognizing that it’s OK to be sad sometimes.
What do you get when you take a classical music teacher, a philosophy student, a nanny/barber, and a professional poker player and stick them in a house in Northeast Portland. No, its not a house of mid-20’s retirees nor is it a Portlandia Skit. It’s the up-and-coming indie/punk quartet Lee Corey Oswald.
The band got their start in the vibrant and vivacious punk scene of Scranton PA, alongside bands such as Title Fight, Tigers Jaw, and The Menzingers, before relocating to Portland, OR in 2009. Though they inevitably drew influence from the laid back elements of a West Coast lifestyle and the indie/folk scene of Portland, their sound never shook that sense of emotional urgency and intensity that is so familiar with bands out of the Northeast.
After releasing a split with Scranton/Philly’s Three Man Cannon in the winter of 2012 the band toured the U.S., sharing the stage with The Lawrence Arms, Titus Andronicus, Title Fight, The Menzingers, La Dispute, Pianos Become the Teeth, Broadway Calls, Touche Amore and The Sidekicks among others.
Lee Corey Oswald’s debut release ‘Regards’, is out now on No Sleep Records. Follow the band now at https://www.facebook.com/LeeCoreyOswald for additional news and updates.